Make Friends With Whatever’s Next
by Max Lucado
Embrace it. Accept it. Don’t resist it. Change is not only a part of life; change is a necessary part of God’s strategy. To use us to change the world, he alters our assignments. Gideon: from farmer to general; Mary: from peasant girl to the mother of Christ; Paul: from local rabbi to world evangelist. God transitioned Joseph from a baby brother to an Egyptian prince. He changed David from a a shepherd to a king. Peter wanted to fish the Sea of Galilee. God called him to lead the first church. God makes reassignments.
But, someone might ask, what about the tragic changes God permits? Some seasons make no sense…do such moments serve a purpose?
They do if we see them from an eternal perspective. What makes no sense in this life will make perfect sense in the next. I have proof: you in the womb.
I know you don’t remember this prenatal season, so let me remind you what happened during it. Every gestation day equipped you for your earthly life. Your bones solidified, your eyes developed, the umbilical cord transported nutrients into your growing frame…for what reason? So you might remain enwombed? Quite the contrary. Womb time equipped you for earth time, suited you up for your postpartum existence.
Some prenatal features went unused before birth. You grew a nose but didn’t breathe. Eyes developed, but could you see? Your tongue, toenails, and crop of hair served no function in your mother’s belly. But aren’t you glad you have them now?
Certain chapters in this life seem so unnecessary, like nostrils on the preborn. Suffering. Loneliness. Disease. Holocausts. Martyrdom. Monsoons. If we assume this world exists just for pregrave happiness, these atrocities disqualify it from doing so. But what if this earth is the womb? Might these challenges, severe as they may be, serve to prepare us, equip us for the world to come? As Paul wrote, “These little troubles are getting us ready for an eternal glory that will make all our troubles seem like nothing” (2 Corinthians 4:17 CEV).
© (Thomas Nelson, 2009),